2. Problem Analysis

The contemporary art market operates through a concentration model that systematically excludes the majority of artists and audiences:

Geographic Concentration

  • New York, London, and Hong Kong account for 82% of global auction sales

  • Gallery representation clusters in 15 cities worldwide

  • 95% of humanity has no access to contemporary art institutions

Economic Gatekeeping

  • Gallery representation requires existing wealth, social capital, and geographic privilege

  • The median professional artist earns €8,000-12,000 annually from art sales

  • Over 70% of art school graduates abandon artistic practice within 10 years, primarily for economic reasons

Speculation Dominance

  • Artworks function as financial instruments for wealth preservation and speculation

  • Aesthetic and cultural value subordinates to market performance

  • Secondary market dynamics create perverse incentives (artist death increases prices)

Circulation Constraints

  • Shipping costs: €5,000-50,000 per international exhibition

  • Insurance: 0.5-2% of declared value annually

  • Crating, customs, courier travel multiply expenses

  • Result: only wealthy institutions can program internationally

2.2 The NFT Experiment's Failure

The 2021-2022 NFT phenomenon tested blockchain's potential for art. It failed for structural reasons:

Financialization Over Function

  • NFT platforms optimized for trading volume, not cultural circulation. Royalty structures incentivized speculation. Platform fees extracted value without building lasting infrastructure.

Architectural Assumptions

  • ERC-721 and similar standards assume transferability as default. "Non-transferable" implementations fight the architecture rather than embody values. This creates perpetual tension between intent and infrastructure.

No Physical Connection

  • Digital-only focus ignored the embodied experience of art. The "metaverse" promised virtual galleries but delivered speculation on JPEGs.

Collapse

  • NFT trading volume fell 97% from peak. Major platforms face insolvency. The experiment demonstrated blockchain's potential while proving that speculative architecture serves speculation, not culture.

2.3 The Infrastructure Gap

Neither galleries nor NFT platforms solve the fundamental problem: permanent infrastructure for art to circulate independent of institutional gatekeepers, resistant to speculative capture, accessible regardless of geography or wealth.

This infrastructure must be:

  • Sovereign: Not dependent on external platform decisions

  • Anti-speculative: Architecturally, not just contractually

  • Sustainable: Self-funding through operation, not external subsidy

  • Accessible: Economically viable for hosts worldwide

  • Permanent: Designed for decades, not platform lifecycles

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