The Poetics of Organisation
If atmosphere is what matters, then organisation becomes poetics. How elements relate to each other. How sequence creates rhythm. How duration allows density to build or dissipate and how silence inbetween works functions like silence between notes — not absence but structure.
The Generative Exhibitions framework emerges from this understanding. An exhibition is not a fixed sequence of objects but a set of relationships capable of different expressions. The same materials, differently organised, produce different atmospheres. A thirty minute manifestation has different weather than a three hour manifestation. The work adapts — not randomly, not arbitrarily, but according to the poetics encoded in its structure.
This is composition in the deepest sense. Not arranging things in space but orchestrating conditions for atmosphere to emerge. The curator becomes a composer of ambiences. The exhibition becomes a score. Each deployment is a performance — same identity, different instantiation, atmosphere arising fresh each time.
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